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The Kurt Rosenwinkel Forum » Tag: Quartal harmony - Recent Posts http://www.kurtrosenwinkel.com/forum/ The Kurt Rosenwinkel Forum » Tag: Quartal harmony - Recent Posts en Sun, 31 Jul 2016 03:32:38 +0000 silverwater on "quartal harmony" http://www.kurtrosenwinkel.com/forum/topic/quartal-harmony#post-3644
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Thu, 06 Jan 2011 22:17:39 +0000
silverwater 3644@http://www.kurtrosenwinkel.com/forum/ <p>One concept Ive developed using this shape:</p> <p>x8889x (or xx3344) [fm11]</p> <p>...I&#39;ve found that min7, dom7, and maj7 chords each have 4 of these that that can be played without any &quot;avoid&quot; notes. To find them, I just go by the note in the highest voice.</p> <p>- For min7 chords, the note in the highest voice can be the b7, R, b3, or 4th, like this for Dmin7:</p> <p>(x5556x) (x7778x) (xx7788) (xx991010) </p> <p>See how the top voices are F, G, C, and D?</p> <p>- For Dom7 chords, the highest voice can be the b7, R, 4th, or the 5th.</p> <p>- For Maj7 chords, the highest voice can be the R, 2, 5, or the 6th.</p> <p>The min7 ones give you a dorian sound, the dom7 ones give you a sus4 sound, and the maj7 ones give you a lydian sound.<br /> _____________________________________________________________________________________________________________</p> <p>The other things that I do with quartal harmony: </p> <p>- Be able to play up and down the neck through the major, harmonic minor, and melodic minor scales. </p> <p>- Learn all the inversions ( I generally stick to 3 note voicings for these)</p> <p>- Take a tune, for example &quot;Solar&quot;. You know what major, harmonic minor, and melodic minor scales can fit over these chords. Start somewhere on the neck with a quartal voicing. Move up to the next available voicing, using half notes. The notes that you have available are the notes that you&#39;d be playing if you were playing a single note solo. Don&#39;t worry about beating on &quot;avoid&quot; notes, or don&#39;t worry that you&#39;re not playing enough chord tones to outline the changes. It&#39;s not going to matter. The bass player will be outlining the changes anyways. The point here is to be musical, not to outline exactly a bunch of ii-V-Is that have been played enough already over the years. </p>
Neither on "quartal harmony" http://www.kurtrosenwinkel.com/forum/topic/quartal-harmony#post-3638
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Wed, 05 Jan 2011 19:22:06 +0000
Neither 3638@http://www.kurtrosenwinkel.com/forum/ <p>You&#39;ll find some answers here : <a href="http://www.kurtrosenwinkel.com/forum/topic/quartal-harmony-adaptation-over-standards" rel="nofollow">http://www.kurtrosenwinkel.com/forum/topic/quartal-harmony-adaptation-over-standards</a> </p>
Matt on "quartal harmony" http://www.kurtrosenwinkel.com/forum/topic/quartal-harmony#post-3637
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Wed, 05 Jan 2011 18:26:39 +0000
Matt 3637@http://www.kurtrosenwinkel.com/forum/ <p>i&#39;m trying to get into using more fourth type voicings, and i&#39;m curious how you guys go about using them; i&#39;ve used them to great extent over &#39;blue bossa&#39; (using diatonic fourths for minor and harmonic minor), but otherwise, i haven&#39;t found ways to use them. </p>