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The Kurt Rosenwinkel Forum » Tag: Scofield - Recent Posts http://www.kurtrosenwinkel.com/forum/ The Kurt Rosenwinkel Forum » Tag: Scofield - Recent Posts en Sun, 26 Jun 2016 00:52:10 +0000 gleepglop_ on "Birdland NYC" http://www.kurtrosenwinkel.com/forum/topic/birdland#post-14155
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Mon, 06 Jul 2015 22:38:12 +0000
gleepglop_ 14155@http://www.kurtrosenwinkel.com/forum/ <p>The site goldstar often has discounted tickets for Birdland and the Iridium . . . looks like they have $20 tickets for Sco at least some of the nights/sets:</p> <p><a href="http://www.goldstar.com/events/new-york-ny/live-jazz-at-birdland" rel="nofollow">http://www.goldstar.com/events/new-york-ny/live-jazz-at-birdland</a></p> <p>I usually check there if there's something I'm thinking about seeing at one of those venues. </p>
Chris on "Birdland NYC" http://www.kurtrosenwinkel.com/forum/topic/birdland#post-14153
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Mon, 06 Jul 2015 16:03:40 +0000
Chris 14153@http://www.kurtrosenwinkel.com/forum/ <p>Thanks so much for the input guys! I'll let you know how it goes..</p> <p>So excited to see sco again! And with swallow and stewart no less!!!</p> <p>Cheers! </p>
wommusic on "Birdland NYC" http://www.kurtrosenwinkel.com/forum/topic/birdland#post-14152
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Mon, 06 Jul 2015 12:10:51 +0000
wommusic 14152@http://www.kurtrosenwinkel.com/forum/ <p>I have to say it's been my experience that Birdland may offer patrons to stay around for 2nd set quite often. But it depends if they are sell-out shows of course and Scofield may well be. </p>
Poparad on "Birdland NYC" http://www.kurtrosenwinkel.com/forum/topic/birdland#post-14151
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Sat, 04 Jul 2015 22:22:47 +0000
Poparad 14151@http://www.kurtrosenwinkel.com/forum/ <p>I haven't been to the Birdland, but I have to a number of other NYC clubs, and the answer to both questions is always "no." It's not cheap to see live jazz in NYC. They usually flip the room after the first set to bring in a new audience (there are a lot of people in the city, apparently), so they will usually only let you stay if you pay again. Sometimes you might slip through, or if it's not packed, they won't hassle you, but I would go expecting to pay again. </p>
Chris on "Birdland NYC" http://www.kurtrosenwinkel.com/forum/topic/birdland#post-14149
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Wed, 01 Jul 2015 21:40:09 +0000
Chris 14149@http://www.kurtrosenwinkel.com/forum/ <p>Hello everyone!</p> <p>I'm planning on going to see Scofield at Birdland this upcoming week with Bill Stewart and Steve Swallow, but I've never been to this club. It says it's $40 a set. If I went to the first set do you think the club would let me stick around for the second set or would I have to shell out another cover and wait in line again? Also do you think there is a college student discount?</p> <p>Thanks!!! </p>
arewolfe on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10936
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Wed, 27 Feb 2013 16:52:13 +0000
arewolfe 10936@http://www.kurtrosenwinkel.com/forum/ <p>Anyone know when the Artstar series will start showing up in music shops? They're in all the catalogs but none of the shops I've called seem to have heard of this new line, and none have them in stock yet. The Boston Guitar Center didn't even have any. </p>
Bob McBobbington on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10861
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Thu, 14 Feb 2013 19:00:06 +0000
Bob McBobbington 10861@http://www.kurtrosenwinkel.com/forum/ <br />
TruthHertz on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10860
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Thu, 14 Feb 2013 17:24:54 +0000
TruthHertz 10860@http://www.kurtrosenwinkel.com/forum/ <p>&lt; I am more than happy with the Super 70 pickups they are awesome, Comments like this almost put me off to buying it, but i read a few other favorable reviews so luckily i took a chance and its great. Made in Dec. 1980, like with any guitar its all about preference, what someone is looking for or to hear, and who cared for the guitar. &gt;</p> <p>Thanks guitarguy for reminding me of the obvious: it's all very personal. :) And yes, my opinion is based on what I like. There is a lot that went on with the AS-200 between '80 and '81. They had a big change in their production, and the neck profile changed, got a little wider and flatter, moving away from the Gibson-esque feel they initially embraced and into the contour I associate with their most prolific years of Japanese production guitars.<br /> Yes, it is always a great idea to try out different vintage guitars, and with some makers, particularly individual instruments. With Ibanez and their Fujigen guitars of the 80's their output was very consistent. I should have said post '80 instruments underwent a change that included a slightly wider neck, a change in pickups to an alnico design and in my experience, they paid a meticulous eye to choice of wood at that point, their necks have a good reputation of staying put. This has also been the feeling among the Ibanez historians while I worked for them.<br /> I get my prejudices from many years of owning Ibanez guitars, working on a huge number of them, working at the Ibanez facility and having worked on the guitars of George Benson and Sco. I like them, it's only fair to try out different ones, see for yourself. From the sound of it, guitarguy, your guitar may very well be a transitional guitar, an instrument that bridged two sides of that change in era. All the more to love about it.<br /> David </p>
arewolfe on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10859
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Thu, 14 Feb 2013 10:41:37 +0000
arewolfe 10859@http://www.kurtrosenwinkel.com/forum/ <p>Jazzcast: I'm really interested in the AS153 and AS155. I play an AF105 right now ($780 USD brand new). I love how it looks, feels, and I love the tone. But there are slight intonation issues on the 9th fret and higher, and some buzzing up above the 12th fret that my local guitar tech hasn't been able to fix. I'm on the lookout for the Artstar models... if I try one I'll report back. </p>
Bob McBobbington on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10858
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Thu, 14 Feb 2013 01:01:22 +0000
Bob McBobbington 10858@http://www.kurtrosenwinkel.com/forum/ <br />
TruthHertz on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10856
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Wed, 13 Feb 2013 13:09:22 +0000
TruthHertz 10856@http://www.kurtrosenwinkel.com/forum/ <p>&lt;Any pics of the headstock as an example...I think the one I'm looking at might be an older one. Going for about $1900, is that a good deal?&gt;</p> <p>Look at any picture of Sco playing live. That's the headstock you want to find but not anything before 1981. You'll see serial numbers, two numerical digits tell you the year, Letter gives you the month of manufacture. If it's $1900, I think it's worth a look if it's in good shape. Take the action down, check the neck for twist. The QC on those was very good, still any time there's that much neck out there, the neck wood is going to be subject to all kinds of stress.<br /> Some people love the Ibanez profile, some prefer the rounder Gibsons. Only you will know if it feels good.<br /> David </p>
jazzacast55 on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10820
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Wed, 06 Feb 2013 06:37:04 +0000
jazzacast55 10820@http://www.kurtrosenwinkel.com/forum/ <p>I'm pretty interested in the Ibanez as153 (Guitar in the Ben Monder video), not sure when it's out, if anyone buys one or plays one it would be great to hear some feedback about it! </p>
jazznan on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10802
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Tue, 05 Feb 2013 12:04:24 +0000
jazznan 10802@http://www.kurtrosenwinkel.com/forum/ <p>Any pics of the headstock as an example...I think the one I'm looking at might be an older one. Going for about $1900, is that a good deal? </p>
TruthHertz on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10798
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Tue, 05 Feb 2013 11:15:46 +0000
TruthHertz 10798@http://www.kurtrosenwinkel.com/forum/ <p>You might keep your eyes open for a good condition early 80's AS200, the one Sco actually plays. I've found a few really great ones over the years, set them up and passed them on to friends and they're some of the nicest guitars out there. I got mine on Ebay. The quality control was exceptional and the craftsmanship was meticulous and of a high quality they never reached again. I'd say '81-'84 are good years. They have the smaller "open book" type headstock and not the domed Artist peghead.<br /> There's a reason why Sco has his name on one guitar but plays his old one.<br /> David </p>
Bluewaterpig on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10792
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Tue, 05 Feb 2013 10:09:59 +0000
Bluewaterpig 10792@http://www.kurtrosenwinkel.com/forum/ <p>The Ibanez Scofield signature model is a good instrument but nothing great, and surely not worth the price tags that they put on it because his name is attached. If you're a scofield fan and you want his tone, search for a vintage Ibanez AS200 from '81, '82, or '83. Scofield has one from '83 and its widely agreed that these were some of the best years for that model. They aren't insanely hard to find, you just might have to wait a little while. Wen you do find one, there's a good chance it'll go for less than the price of the Ibanez signature model. </p>
Floatingbridge on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10749
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Thu, 31 Jan 2013 00:37:30 +0000
Floatingbridge 10749@http://www.kurtrosenwinkel.com/forum/ <p>The pickguard's finish and shape seem like an unnecessary " advancement " in design. It looks kinda silly. </p>
jazzacast55 on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10748
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Wed, 30 Jan 2013 20:16:09 +0000
jazzacast55 10748@http://www.kurtrosenwinkel.com/forum/ <p>Jazznana, do you mean Ben Monder? What do you mean Ibanez Scofield?<br /> The Ibanez as153 looks great, I wonder if it's similar to the Ibanez as200? always wanted one on those! </p>
Matt on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10747
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Wed, 30 Jan 2013 19:56:00 +0000
Matt 10747@http://www.kurtrosenwinkel.com/forum/ <p>i played two John Scofield models and didn't really dig em; they have great response to articulation, but the tone is pretty mid-heavy and dull, and the sustain drops off pretty much after ~1.5 seconds. take into account that I was comparing this guitar with the Gibson 335 made in memphis, which i came home with. </p> <p>now, this is referring to the model made in Japan, the signature model. the vintage Aritst-series may be different. </p>
Floatingbridge on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10746
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Wed, 30 Jan 2013 19:28:58 +0000
Floatingbridge 10746@http://www.kurtrosenwinkel.com/forum/ <p>Check out this video on YouTube:</p> <p><a href="http://www.youtube.com/watch?v=3WUjJrMO89U&amp;feature=youtube_gdata_player" rel="nofollow">http://www.youtube.com/watch?v=3WUjJrMO89U&amp;feature=youtube_gdata_player</a> </p>
Floatingbridge on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10745
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Wed, 30 Jan 2013 19:17:33 +0000
Floatingbridge 10745@http://www.kurtrosenwinkel.com/forum/ <p>That is so great that they are honoring him with a guitar.<br /> I just happened to go to their site yesterday ( for other reasons .... Incidentally , I'm not sure if my Internet was slow or if their site just kind of sucks, but exploring was a tedious process).<br /> Funny enough , there was a picture of ben monder playing one of their guitars... I wonder if they gave it to him... I wonder if it had .09's or 0.08's on it when they gave it to him. Ha! </p>
jazznan on "Ibanez Scofield" http://www.kurtrosenwinkel.com/forum/topic/ibanez-scofield#post-10744
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Wed, 30 Jan 2013 18:35:30 +0000
jazznan 10744@http://www.kurtrosenwinkel.com/forum/ <p>Seeking more advice....Any opinions or experience with the Ibanez Scofield? Thanks </p>
geetarted on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3938
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Wed, 23 Feb 2011 12:47:12 +0000
geetarted 3938@http://www.kurtrosenwinkel.com/forum/ <p>For RC bases tunes it&#39;s important to go back to when these changes where first added to jazz vocabulary. The posts that inform on this ^ above are right on the money. Bebop. I love Allan Holdsworth and Scott Henderson as much as Kurt Rosenwinkel and Adam Rogers...(( Who I just saw at the REX IN TORONTO 4 days ago KILLING it with drummer Nate Smith and Fima Ephron. He just ripped the guitar apart...I love these guys enough to get wildly off topic.))) One has to go back and swim in the masters to go forward with a solid foundation.. Going back to Art Tatum or Oscar Peterson, Bud Powell, or maybe Charlie Christian and Django R or Wes.. up a few years to the great Tal Farlow. Those are just a few piano and git examples.. all instruments from that time period... Simple lessons for the changes are all in the early bebop players. This is common sense, I know, just there is so much good music out there it&#39;s nice to revisit the masters and reset my ears every once in a while. </p>
jorgemg1984 on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3937
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Wed, 23 Feb 2011 06:54:26 +0000
jorgemg1984 3937@http://www.kurtrosenwinkel.com/forum/ <p>&quot;Shaw Nuff&quot; is also a great rhythm changes tune - check Bud Powell version (&quot;Bud Plays Bird&quot; is a must to learn bebop&quot;), Keith Jarrett (on &quot;Yesterdais&quot; album) and Paul Motian EBBP (with Joshua Redman).</p> <p>The Mehldau trio version of &quot;Anthropology&quot; mentioned above is probably the best thing I ever heard on a Rhythm Changes ever </p>
jorgemg1984 on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3934
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Wed, 23 Feb 2011 06:32:02 +0000
jorgemg1984 3934@http://www.kurtrosenwinkel.com/forum/ <p><a href="http://www.youtube.com/watch?v=7HsV-WpnrVQ" rel="nofollow">http://www.youtube.com/watch?v=7HsV-WpnrVQ</a> </p>
Anonymous on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3256
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Fri, 12 Nov 2010 00:45:52 +0000
Anonymous 3256@http://www.kurtrosenwinkel.com/forum/ <p>Sandemose, funny you should post that second video -- that guy&#39;s name is Andy Roe I think, and I found the same video a year or two back, and liked it also. That cat can definitely play really well. </p> <p>What&#39;s fascinating is he plays Oleo with like country swing sensibilities or something. I think he had another video, playing over Wes Montgomery&#39;s &quot;Four On Six&quot;, also excellent playing, also from a &quot;country-jazz&quot; vibe. Wonderful playing. </p>
Matt on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3155
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Mon, 01 Nov 2010 23:35:49 +0000
Matt 3155@http://www.kurtrosenwinkel.com/forum/ <p>on tim miller&#39;s rhythm changes - there&#39;s a transcription of a solo/head of a cd of his on his website- <a href="http://www.timmillermusic.com/Notes.htm" rel="nofollow">http://www.timmillermusic.com/Notes.htm</a> </p>
silverwater on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3142
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Fri, 29 Oct 2010 16:02:36 +0000
silverwater 3142@http://www.kurtrosenwinkel.com/forum/ <p>I also consider myself to be one who sucks at rhythm changes. I avoided really working on them for years, more or less intimidated by the number of chords and the speed at which they go by, and also annoyed by the fact there are quite a few different versions of what the EXACT chords on the A sec are, like if the 5th chord is the I or the vi, or if the 5th bar starts with the I or v, or if the second chord in the 6th bar moves to iv, or possibly bVII. This just didn&#39;t jive with my OCD analytical mind (like I know many of you fellow guitarists have too). But having moved to NYC recently, I find lots of guys are into playing rhythm changes, so there&#39;s really no way around it now. </p> <p>Here&#39;s some of my limited knowledge of playing on rhythm changes:</p> <p>- Having heard lots of guys play them now, it seems that with a hip bass player playing some cool chromatic/angular lines at those tempos, the EXACT changes really are not that important, and it&#39;s all about the direction of the lines to build tension to a point of release, as opposed to outlining the specific changes that are going by. </p> <p>- Just playing in Bb can be fine over the A sec as well, although you probably don&#39;t want to do this over every chorus because it can sound stale, depending on the player of course. The A secs are a good time to do shit like playing motives in 3/4, 5/4, or 7/4 over the 4/4</p> <p>- Treating a quick ii-V like it&#39;s just the V definitely helps.</p> <p>- For the B section some have mentioned some cool substitutions already. You could play 2 bars each of A dor, Ab dor, G dor, F# dor which has a nice descending sound, I haven&#39;t listened to twjazz&#39;s example of Kurt playing Dexterity yet but that could be one way that some comes up with playing an A triad over an F chord.</p> <p>- Also for the B section, I like to play the corresponding symmetrical diminished scale over each of those chords; Eb w/h, D w/h, C# w/h, to F# w/h (or Cdim, Bdim, C#dim, to Cdim as I prefer to think). Again this gives one a nice downward trajectory in the lines to resolve on the Bb. I like to play chords from the diminished scale too, something like:</p> <p>D7:--------G7:--------C7:--------F7:--------Bb:</p> <p>7-----8-----7-----6-----5-----6-----5-----4-----3<br /> 7-----9-----8-----6-----5-----7-----6-----4-----3<br /> 8-----8-----7-----7-----6-----6-----5-----5-----3<br /> 10----7-----6-----9-----8-----5-----4-----7-----7<br /> x-----x-----x-----x-----x-----x-----x-----x-----x<br /> x-----x-----x-----x-----x-----x-----x-----x-----x</p> <p>Check out the &quot;Joe Pass Guitar Style&quot; book too. </p>
Anonymous on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3128
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Thu, 28 Oct 2010 11:34:27 +0000
Anonymous 3128@http://www.kurtrosenwinkel.com/forum/ <p>Kurt Rosenwinkel playing Dexterity is here:</p> <p><a href="http://www.youtube.com/watch?v=F2XVKCylMC0" rel="nofollow">http://www.youtube.com/watch?v=F2XVKCylMC0</a></p> <p>Amazing substitutions as usual. (A triad over F7 at 0:47, like I would think of that. :))</p> <p>Thanks for the great responses -- cycling around the circle of fourths (smith), Oleo on Bag&#39;s Groove (hey, Pascau!) -- to me this is &quot;the&quot; classic recording of Oleo. What a great album, too. </p> <p>The KJ recording is interesting; he recorded Oleo with the Standards Trio earlier and played it more conventionally. The recording you refer to is pretty hard to listen to for me, but no doubt worth digging into, so much about rhythm and not melody (at least the first few minutes. :))</p> <p>Tritone subs -- absolutely, Scofield seems to like playing B7 (often an arpeggiated thing) over the F7 on the bridge for example.</p> <p>Bb over the A sections - absolutely, I think someone said Bird used to favor a Bb blues scale on the last A (AABA). Mike Stern of course uses the blues scale well in &quot;Suspone.&quot;</p> <p>Jaznan, your post about Ornette Coleman and the bridge on rhythm changes is really interesting. </p> <p>Sandemose, you are brutally honest. I sucked pretty bad for a long time on RCs, and still am far from really &quot;mastering&quot; them, but have improved a lot I think. I just frikking won&#39;t give up on rhythm changes. I plan to do a little video with just a metronome pretty soon. </p> <p>One thing that would seem obvious to a person of average intelligence (yet somehow eluded me) is that you have to work both on understanding the harmonic possibilities AND playing your ideas to tempo (pretty fast, usually). The latter can trip you up unless you have really practiced playing fast often, or focused on it with RC&#39;s (maybe by focusing just on the A section, and separately on the bridge, which IMO is a little easier to play, esp. if you know your bebop scales.</p> <p>Other than the slow &quot;Bb Rhythm Changes&quot; on one of the Abersolds (not the &quot;fast&quot; one), I haven&#39;t come across recordings of rhythm changes at less than about quarter note = 184 (eg metronome on 92, think 2 and 4). Playing &quot;hip&quot; lines - good ideas -- and playing fast, that&#39;s definitely a challenge for me. BTW, the Adam Rogers version of Dexterity is a perfect example of fast/hip. :)</p> <p>Thanks for the response, I&#39;ll check out many of the references above asap. </p>
sortell on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3116
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Thu, 28 Oct 2010 04:25:09 +0000
sortell 3116@http://www.kurtrosenwinkel.com/forum/ <p>@twjazz Where did you find Kurt playing &quot;Dexterity&quot;? I can&#39;t seem to find it on youtube. I am interested in hearing that. </p>
jazznan on ""Hip" playing on rhythm changes?" http://www.kurtrosenwinkel.com/forum/topic/hip-playing-on-rhythm-changes#post-3102
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Wed, 27 Oct 2010 03:09:16 +0000
jazznan 3102@http://www.kurtrosenwinkel.com/forum/ <p>Here&#39;s one cool explanation of rhythm changes, the start of &quot;free jazz&quot; (thanks to EI of TBP from this post: <a href="http://dothemath.typepad.com/dtm/this-is-our-mystic.html)" rel="nofollow">http://dothemath.typepad.com/dtm/this-is-our-mystic.html)</a>:</p> <p>&quot;On two of the rhythm changes tunes on Something Else, “Chippie” and “Alpha,” the bridge is improvised, without a written melody. This was common practice already: famous examples include Sonny Rollins&#39;s “Oleo” and Dizzy Gillespie&#39;s “Wee.” I asked Ornette about this, and he said that the bridge of rhythm changes was how he first knew how to leave the home key. A light bulb went on my head, and I thought, “Bridge of rhythm changes = start of free jazz.” This makes a lot of sense, and explains why there are so many improvised bridges in his early music.</p> <p>We can hear this embryonic free jazz in Ornette&#39;s first solo on “Angel Voice.” He mostly plays in the tonic key on the beginning and ending A sections and leaves that key (and normal bridge changes) behind for the whole bridge.&quot;</p> <p>You can almost hear the language of jazz react in shock and bewilderment: “What was THAT? Actually, that felt pretty good! </p>