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The Kurt Rosenwinkel Forum » Topic: polichords http://www.kurtrosenwinkel.com/forum/ The Kurt Rosenwinkel Forum » Topic: polichords en Fri, 29 Jul 2016 15:47:59 +0000 Sandemose on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2403
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Sun, 22 Aug 2010 14:24:51 +0000
Sandemose 2403@http://www.kurtrosenwinkel.com/forum/ <p>mds90: sweeeeet.... </p>
mds90 on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2402
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Sun, 22 Aug 2010 13:45:42 +0000
mds90 2402@http://www.kurtrosenwinkel.com/forum/ <p>sandemose told: 6-7-x-7-7-5 &lt;----its a beauty...<br /> Let&#39;s try this on minor II V I (example in Dm)<br /> 6-7-x-7-7-5 for E half diminished (flat five, root, seventh, ninth, eleventh)<br /> 9-10-x-10-10-8 For A7alt (third, seventh, sharp five, root, sharp nine)<br /> 13-14-x-14-14-12 for Dm (third, sixth, fifth, major seventh, ninth)<br /> you have 3 triads on top for every chord! </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2400
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Sun, 22 Aug 2010 12:32:52 +0000
Anonymous 2400@http://www.kurtrosenwinkel.com/forum/ <p>3rd and 4th triads of B harmonic major.......whoops it&#39;s still early. </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2399
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Sun, 22 Aug 2010 12:30:27 +0000
Anonymous 2399@http://www.kurtrosenwinkel.com/forum/ <p>i got to have a smoke with kurt last time i saw him so i guess i got my prize early. that fingering makes sense because 5-x-5-3-4-3 is a common voicing for A7 altered, i guess kurt decided to throw his thumb in there to get the 3rd. that min7b5 voicing is a great g melodic minor chord(try using for F#7 altered). the Ebmin/Emin comes from combining the 5th and 6th triads of the B harmonic major scale. makes a good C7 altered(who doesn&#39;t love a major7 on a dominant chord).</p> <p>Cheers! </p>
Sandemose on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2396
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Sun, 22 Aug 2010 10:02:57 +0000
Sandemose 2396@http://www.kurtrosenwinkel.com/forum/ <p>I remember Kurt spelling the chord as a A7+Eb, I guess with those more complex chords they can be named in different way, esp. out of context. Given a song context it gets a bit easier. His fingering suggestion was really crazy though:</p> <p>3-Thumb-4-1-2-1 (this means the thumb reaches down to the A string). Its quite bizarre...</p> <p>I guess Smith is the winner :)</p> <p>On the same thread, Kurt presented his favorite minor7b5 chord:</p> <p>6-7-x-7-7-5 &lt;----its a beuaty...</p> <p>Best, Sandemose </p>
add4 on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2395
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Sun, 22 Aug 2010 04:31:50 +0000
add4 2395@http://www.kurtrosenwinkel.com/forum/ <p>Multiple posts .. sorry about that </p>
add4 on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2394
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Sun, 22 Aug 2010 04:31:50 +0000
add4 2394@http://www.kurtrosenwinkel.com/forum/ <p>Hey,<br /> Very interesting sound for the chords presented here .. i had never experimented with the concept of polychords before.<br /> The very first question that goes through my mind is : how are they useable? i mean you have a Ebmin/Emin chord, can you substitude it for each one of these, or the chord above, or below, or another totally different chord, aare there rules for that or is it a matter of experimenting and seeing how it sounds in what situations and what you like?<br /> Thanks for giving me hints about that </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2391
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Sat, 21 Aug 2010 20:26:04 +0000
Anonymous 2391@http://www.kurtrosenwinkel.com/forum/ <p>Sandemose, that B/C is a great chord. Wayne Shorter uses it on a lot of his tunes. works good for all modes of E harmonic minor.</p> <p>Cheers! </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2390
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Sat, 21 Aug 2010 20:17:08 +0000
Anonymous 2390@http://www.kurtrosenwinkel.com/forum/ <p>or Ebmin/Emin....whoops </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2389
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Sat, 21 Aug 2010 20:15:25 +0000
Anonymous 2389@http://www.kurtrosenwinkel.com/forum/ <p>a gift from mr goodchord- O-2-5-3-4-2. the despair chord Emin/Ebmin </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2388
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Sat, 21 Aug 2010 20:06:10 +0000
Anonymous 2388@http://www.kurtrosenwinkel.com/forum/ <p>thumb middle pinky index ring index- A7 alterd, Eb7#11, Bbminmaj6/9, Db6/9#4#5, a weird f9sus with 3rd and #5, Gmin9b5b6. basically a Bb melodic minor chord. Eb/A7 </p>
Sandemose on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2386
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Sat, 21 Aug 2010 18:41:48 +0000
Sandemose 2386@http://www.kurtrosenwinkel.com/forum/ <p>This is my favorite poly chord, from low to high E:</p> <p>3-3-2-4-4-2 (C+B)</p> <p>Many years ago, on the old forum, Kurt posted a &quot;contest&quot; on one certain chord. The questions were: How would you spell this chord, and how would you finger it:</p> <p>5-4-5-3-4-3</p> <p>First price is having the honor of carrying Kurts gig bag for about 20 meters (empty of course, without guitar), buying/making Anders breakfast.</p> <p>Good luck!</p> <p>/Sandemose </p>
Floatingbridge on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2383
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Sat, 21 Aug 2010 09:12:14 +0000
Floatingbridge 2383@http://www.kurtrosenwinkel.com/forum/ <p>a guy i took a lesson from said that he noticed that every time he would play any major7#11 chord joe henderson played the &quot;b9&quot;. and he said it was from this chord you are showing.<br /> here is another cool one from a jimmy wyble book ( jazz concepts for classical guitarists ...or something like that);<br /> you can view these as 13th type chords with no 5th. the root is on the 5th string. it&#39;s like you are alternating between 5ths and 3rds and making stacks of this combination.</p> <p> in 1st position ( one note per string )from low e to high e:<br /> F,C,E,B,D,A= 11th,root,3rd,7th,9th,13th.</p> <p>obviously, run this through the scale and with other scales to see/hear the different types of 13(no 5) with the various alterations.<br /> hopefully this makes sense, i don&#39;t really tab in this kind of txt. if its confusing think of that basic voicing for Cmaj9 for the middle 4 strings ( and just adding an F on the low e string and and an A on the high e). </p>
Anonymous on "polichords" http://www.kurtrosenwinkel.com/forum/topic/polichords#post-2381
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Sat, 21 Aug 2010 07:37:17 +0000
Anonymous 2381@http://www.kurtrosenwinkel.com/forum/ <p>hi guys</p> <p>in this week i&#39;ve tried to experiment some polichords for example</p> <p>Cmaj7/Dmaj7<br /> TAB<br /> E--9<br /> B--7<br /> G--7<br /> D--9<br /> A--7<br /> E--8<br /> arpeggio<br /> ----------------9---------------------------------<br /> --------------------10----------------------------<br /> -------------------------11-----------------------<br /> ----------------9--------------12------------------<br /> --------------------10------------------------------<br /> ----------8---------------------12------------------</p> <p>someone of you have experimented with polichords or kwow some really nice polichords?</p> <p>sorry my english is very bad</p> <p>best ltit </p>