Hahaha.. Yeah , kind of a bummer when nobody replies.
There are so many things going on. Talking about it almost feels futile because there is so much dimension to what he does that some play by play breakdown would be such a reductionist and disrespectful way to attempt at overviewing this masterful moment of sublime guitar playing.
However I see some things ( from a really vague perspective ) : 3rds, 6ths, triads ( in all their inversions - as rootless voicings or extensions of larger chords ;adjacent notes ( 2nds surrounded by other notes at larger intervals ( super vague , right ) ? With all this harmonic stuff , I really don't think it's with much effort- he clearly can run any one of these up and down , but it really feels like the decisions are coming from an urge to state and maintain things in the service of a lyrical quality. This is further butressed by serious groove ( reminiscent of the Hal galper schpeil on rhythmic phrasing ), it feels like he isn't plunking along merely marking time - it feels like bigband hits and stuff ( but cooler than a lot of the shit I've heard ).