I was listning to a Kurt workshop the other day. One of the topics was the use of upper structure triads on Darn That dream. Now, i find it logical to pull triads from the dimineshed or the altered scale for like a C7 b9 with a A triad on top. How would you go about to apply it on a tune like Darn that dream ?
Would one use the root scale for the each chord to find triads or maybe target the dominants? Could someone maybe give me some tips about how to start with the A section of D T D? Also , would you treat the uperstructure triad as a substitusion chord or like a voicing with the Root (3 ,7) behind it ?